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Analysing Instagram pages of South African fashion models with Vitiligo using multimodal communication for a practice-based study

dc.contributor.advisorMchunu, Khaya Jean
dc.contributor.advisorRapeane-Mathonsi, Maleshoane
dc.contributor.authorSarupdeo, Emiliaen_US
dc.date.accessioned2023-08-07T07:18:04Z
dc.date.available2023-08-07T07:18:04Z
dc.date.issued2023-03-01
dc.descriptionSubmitted in fulfilment of the requirements, for the degree of Master of Applied Arts: Fashion, in the Faculty of Arts and Design at Durban University of Technology, Durban, South Africa, 2023.en_US
dc.description.abstractAn increase in fashion models with vitiligo are observed from the sharing of representations of themselves and the skin condition on multimodal forms of communication on social media platforms, notably Instagram. The study is located in fashion and focuses on vitiligo that has been widely discussed in the medical field. Vitiligo is a skin condition where the deterioration of melanocyte cells lead to white patches that present in various areas of the body (Vallerand et.al 2019: 1371). The significance of this study is to understand the representations led by fashion models with vitiligo and to join them by using my profession as a fashion designer with vitiligo to shift the beauty narrative through inclusivity and raising awareness about the skin condition. The study is framed by a multimodal discourse analysis and specifically a four-step analytical process of modal transfer (Kress 2000 and 2010). This frame is used to focus on how fashion models with vitiligo use multimodal communication in the form of photographs, captions, and hashtags to communicate themselves, as people with vitiligo through their public Instagram pages. This form of communication is argued to be their practice of challenging and expanding accepted notions of beauty. An analysis is followed by a practical component framed by Sullivan’s (2010) and Skains (2018: 86) creative practice as research. The study results show how the models have represented themselves and their skin condition. Some posts touch on themes that seek to shift the narrative and expand notions of beauty. They share perspectives on inclusivity and diversity, self-love, self-affirmation, body-positivity, perceptions of the gaze, and what should not be regarded as fashion trends. Optimism expressed by such themes resulted as psychological healing and promotes good mental health towards the incurable skin condition. I designed a body of fashion artefacts for this practice-based study as my contribution to using fashion as communication to shed light on vitiligo and body positivity. A new Instagram page has been created to display the practical collection through my own use of multimodal communication. This process has resulted in 6 fashion artefacts that use hashtags as titles to speak about vitiligo. The fashion artefact collection celebrates inclusivity and diversity, depicts the types of formation which vitiligo presents in, and concludes by perceiving all as beauties, expressed in both in practice and theory.en_US
dc.description.levelMen_US
dc.format.extent211 pen_US
dc.identifier.doihttps://doi.org/10.51415/10321/4942
dc.identifier.urihttps://hdl.handle.net/10321/4942
dc.language.isoenen_US
dc.subjectVitiligoen_US
dc.subjectMultimodal discourse analysisen_US
dc.subjectCreative practice as researchen_US
dc.subjectFashionen_US
dc.subjectPlural beautyen_US
dc.subjectCcommunicationen_US
dc.subjectSemioticsen_US
dc.subject.lcshModels (Persons)en_US
dc.subject.lcshVitiligoen_US
dc.subject.lcshPigmentation disordersen_US
dc.subject.lcshSocial mediaen_US
dc.subject.lcshFashionen_US
dc.titleAnalysing Instagram pages of South African fashion models with Vitiligo using multimodal communication for a practice-based studyen_US
dc.typeThesisen_US

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