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The use of abstraction by Bill Ainslie and David Koloane

dc.contributor.advisorStarkey, Anthony Roland
dc.contributor.authorAnderson, Vanessaen_US
dc.date.accessioned2017-11-15T08:15:39Z
dc.date.available2017-11-15T08:15:39Z
dc.date.issued1999
dc.descriptionDissertation submitted in partial compliance with the requirements for the Master's Degree in Technology: Fine Art (Painting), Technikon Natal, Durban, South Africa, 1995.en_US
dc.description.abstractThe financial assistance of the Centre for Science Development (HSRC, South Africa) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the Centre for Science Development.en_US
dc.description.levelMen_US
dc.format.extent226 pen_US
dc.identifier.doihttps://doi.org/10.51415/10321/2721
dc.identifier.otherDIT89367
dc.identifier.other90125
dc.identifier.urihttp://hdl.handle.net/10321/2721
dc.language.isoenen_US
dc.subject.lcshArt, South Africanen_US
dc.subject.lcshArtists--South Africaen_US
dc.titleThe use of abstraction by Bill Ainslie and David Koloaneen_US
dc.typeThesisen_US
local.sdgSDG17

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