Faculty of Arts and Design

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The making of CourseMaker, a web-based shell program which can be set up by the teacher to run online courses
(2003) Pratt, Deirdre Denise
CourseMaker is an HTML shell program which was developed by the presenter as part of a Ph.D. research project on CAI/written composition, but which can be used for a variety of other instructional purposes. CourseMaker contains many of the elements of the traditional classroom translated into the electronic medium, and can be set up by teachers to run a variety of courses in either academic or non-formal subjects, along with any instructions, lesson materials or notes they may wish to include. It has features such as lesson links and pop-up boxes which make it possible to layer and cross-link teaching materials and resources either on CourseMaker itself or the Internet. CourseMaker also provides for input by students, who can continue with a course at any stage or level, and can choose which course or lesson to access as needed. Setting up courses on CourseMaker does not require knowledge of computer programming: courses can be set up by the teacher to suit different academic contexts, purposes and student target groups. CourseMaker is not a commercial product but research output which is thought to have educational potential when used either as or in conjunction with a web-based learning programme.
Blended learning as a response to change in a merged technikon: an account of three modes of delivery in a web-based Communication Skills semester course designed for Engineering students at DIT
(2003) Pratt, Deirdre Denise
The degree to which people are facing revolutionary technological changes in the near future is matched only by the degree of inertia evinced by educational institutions, particularly tertiary institutions. Even when such institutions undergo sweeping changes, as in the case of the recent merger between Technikon Natal and ML Sultan Technikon, the reaction of most academic departments is to make desperate attempts to adjust and consolidate, and to think with nostalgia of “the good old days” rather than to introduce innovations. Yet as Taylor (2001) points out, an institution’s survival in the face of imminent widespread technological change depends not only on changing the way it does things, but on changing the things it does, and a common factor in innovation is often the introduction of new learning technology systems (Kenny, 2002). The “Fourth Generation” learning model described by Taylor is already a reality for educators, involving interactive multimedia online, Internet-based access to World Wide Web resources, and computer-mediated communication. While Taylor is writing in the context of distance education, the “flexible learning model” described is just as appropriate for blended learning, i.e., a mixture of face-to-face and computer-mediated instruction (also referred to as “mixed mode”). Moreover, when a merged “super-technikon” such as the Durban Institute of Technology swells its student numbers to over 20,000 and sprawls over a number of campuses, some of the techniques used for distance education might well apply. However, as Glor (1997) points out, effective innovation is “not just a question of coming up with ideas, but also of developing and realising them successfully”, and the transition “from strategic vision to university wide teaching change is ... a complex and largely uncharted one” (Lines, 2000). The Fourth Generation model of instructional delivery is in fact well within the capabilities of a growing number of the DIT staff who have completed the Pioneers Induction Programme to web-based learning (Peté et al, 2002), initiated in 2000, and are going from strength to strength with the current Pioneers 2003 group. This paper looks at an initiative by one of the Pioneers 2002 group (the author) to introduce a Communication Skills course in blended learning mode, mainly in the interests of enhanced delivery, but also in an attempt to find creative solutions to problems such as larger classes and diminishing resources. It will show that, while the assumptions about enhanced delivery were justified, in one case the initiative was all but sabotaged by the unfortunate convergence of multiple “merger glitches”, which individually could have been relatively easily overcome, but collectively posed a serious threat not just to academic quality but to course continuance.
The role of the social mechanism in social transformation: a critical realist approach to blended learning.
(2006) Pratt, Deirdre Denise; Gutteridge, Robert Geoffrey
This paper deals with ongoing curriculum development in mixed mode, focusing in particular on student response to blended learning at a multicultural University of Technology. This is currently the subject of a masters research project investigating the possible ways in which learner access and response to blended learning might be affected by socio-cultural elements. The research investigates the impact of socio-cultural factors on blended learning in the development of academic literacy in a tertiary vocational context, and, it is hoped, will identify some of the factors which contribute positively or negatively towards blended learning in multicultural settings. The research orientation is critical realism, which is highly compatible with the scaffolded constructivist learning approach used in the Department of English & Communication’s Comm. Skills Online course, but has additional ontological dimensions which are helpful in pointing the way to social transformation. A key concept in critical realist research is that of the social mechanism, which can be seen as having two aspects, formal and practical: Franck’s modelling process represents these as theoretical and empirical models respectively. A tentative empirical model of blended learning based on a theoretical model of course design is discussed: socio-cultural factors impacting on both affect and access issues in blended learning can be represented as input into the system inherent in the social mechanism. The merits and disadvantages of the video protocol analysis as a possible research tool for capturing data on student response to blended learning are also discussed, and the paper concludes with the implications of this type of modelling for social transformation.
Mechanism and software design: the use of a stochastic social-process algorithm in the design of a writing tutor program.
(2005) Pratt, Deirdre Denise
One of the chief difficulties in designing effective courseware for improving writing proficiency is that composing, like other forms of human communication, is a complex social process with little or no agreement as to its precise nature or structure. Designing a versatile writing tutor program which will mimic the functions performed by a human tutor requires a systematic investigation into the complex processes involved in composing, in particular its commonalities and variables, and the ways in which it is shaped to the various contexts in which it occurs. This paper suggests that in order to translate complex social processes effectively into educational software design, it is first advisable to discover the social mechanisms which effect the process. In the case of written composition, a complex modelling procedure was followed which used a process of reverse engineering to arrive at a system of essential communicative functions. The architecture of functions thus revealed validated a practical model of composing, which in turn could be seen to constitute a stochastic algorithm for composing. The algorithm was used as the basis for the design of a writing tutor program, which took the form of a help menu based around the five stages of composing depicted in the algorithm. The program has still to be tested out by learner writers working in various educational contexts.
An analysis of the design features of three mixed-mode courses in a master’s degree programme
(2005) Pratt, Deirdre Denise
This paper suggests that a system of communicative functions can be used to provide a framework for analysing course design, and illustrates this with reference to three mixed-mode courses intended for use in a master’s programme in Computer Assisted Language Teaching (CALT). The design principle is based on an architecture of functions necessary for effective communication, namely, the contextual, ideational, interactive social and reflexive functions. Because the principle is descriptive rather than prescriptive, and is thought to identify a deep structure of human functioning common to all social interaction, it provides a template for analyse of course design which can be applied within different educational paradigms. The template offers the course designer moving into a new milieu or medium the opportunity to gain a fresh perspective on the process of instructional design. Issues such as the educational context, course content, learning interactions, academic requirements and assessment can be now viewed in terms of how these contribute to knowledge construction, rather than whether the outcome per se is desirable: the latter issue is already addressed comprehensively in current instructional design paradigms
Modelling social algorithms as design templates for educational software
(2006) Pratt, Deirdre Denise
Education involves a process of initiating learners into complex socio-cultural processes which may vary from culture to culture and even between institutions within the same culture, making it difficult to design versatile courseware which has some relevance for the social process to be mastered by learners. Moreover, social elements often operate intra- as well as extra-systemically in social processes, which makes it difficult for the courseware designer to differentiate between the commonalities and variables in learning processes. Yet in spite of the complexity of human social behaviour, psychologists have identified social algorithms which apply to various key domains, and which prepare young people for effective social functioning in a variety of life situations. It is the contention of this paper, based on doctoral research on modelling composition, that it is possible to identify social algorithms which underpin human learning, and which might form the basis for effective courseware, given that such programs would require customisable options so as to cater for the extra-systemic elements applying in various socio-cultural contexts. One of the means whereby social algorithms can be identified is provided by Franck’s modelling process, which uses the principle of reverse engineering. The modelling process is described in some detail, as is the central concept of the social mechanism (i.e. algorithm) with specific reference to the development of educational software in the form of a process-based writing tutor program.
Modelling writing as the basis for a writing tutor computer program.
(2005) Pratt, Deirdre Denise
To provide the basis for a writing tutor program which could be used in a variety of contexts, a modelling process was followed which produced both a practical and a theoretical model of writing. While the practical model provided learner writers with metacognitive strategies to carry out composing processes, the theoretical model underpinning it consisted of a system of communicative functions necessary for effective communication. Having been validated empirically, the practical model formed the basis for a writing tutor program, which was produced in the form of a help menu designed around the five stages of composing shown in the model. The program can be loaded onto the learner writer’s home computer and consulted while the writer is composing on computer, and was designed to allow for input by both teacher and student, which means that it can be customised to suit different educational contexts and purposes.
From social algorithm to pedagogical application: some implications for educational software
(2006) Pratt, Deirdre Denise
Educational software geared to literacy development is too often based on what computer programs can do rather than on any deep-level consideration of the social process involved or how social processes are learned. As social psychology suggests that young people learn social behaviour by means of social algorithms, it is suggested that designers of educational software should consider identifying the algorithm involved as a basis for effective program design. Apart from resulting in versatile courseware, following this process means that the program structure itself can be made to reinforce the algorithm to be learned. This innovative educational design process is demonstrated by showing how a writing tutor program was designed around a composing algorithm underpinned by a deep structure of communicative functions. The resulting application could then be used flexibly in a variety of different educational contexts because the commonalities and variables in composing had been established.
A realist approach to writing: developing a theoretical model of written composition to inform a computer mediated learning application
(2007) Pratt, Deirdre Denise
An in-depth investigation into the nature of composing was carried out to provide the theoretical basis for a computer mediated learning application, an interactive writing tutor computer program which might be customised by users to fit different educational contexts. The investigation was carried out within a critical realist perspective, from which viewpoint composing can be seen to have an external reality in common with other social phenomena. The intended outcome was to arrive at a description of writing which more closely approximated the reality so as to design more effective learning interactions, in particular, the writing tutor program itself
Journey of awareness : an exploration of identity through design
(2006) De Beer, Marlene
My journey of awareness which is an exploration of my identity through design has resulted in a body of artefacts presenting as sculptures and various pieces of jewellery and a written dissertation. The sculptures include bronze castings as well as stoneware ceramic pieces. I produced silver jewellery and vitreous enamelled pieces which include some gold and glass bead detail. Although my sculptures could be considered as fairly small, working on this scale was a new experience to me as a jewellery designer who is used to working on an even smaller scale. I found it challenging to express the necessary emotion and meaning in my work while creating on such a relatively small scale. The body of artefacts is a concrete manifestation of my exploration of identity and was produced as an intuitive expression of memories and emotion. My memories are of personal experiences within a specific cultural and historical context, and the exploration forms part of a critical transformative inquiry. The motivation for this transformative inquiry forms part of a holistic de-fragmentation of my personal and cultural identity in an attempt to construct meaning and authenticity through design. The artefacts were produced in holistic cycles presenting in two distinct phases which are discussed chronologically. I recorded the process and my thoughts and feelings in a reflective journal which included a visual journal in my studio and served as a reference for my discussion of the cycles. I experienced the process of making as a ritualistic enactment of healing and the construction of meaning. In the written and illustrated submission for the award of this degree, I have endeavoured to offer an explanation of my professional and emotional development that formed part of the transformative process. I have chosen not to separate my explanation of my development as a designer and my personal development as it occurred concurrently. Digital imagery of my body of artefacts forms a record of my work offered for exhibition purposes and is included with the written dissertation.
An investigation of educators' perceptions of the Integrated Quality Management System in South African schools
(2008) Biputh, Barathwanth; Sioux McKenna
Educational institutions are pursuing quality improvement for various reasons. A great deal of literature on staff evaluation covering a wide spectrum of fields such as industry and commerce, including schools, has been produced and it generally identifies three main purposes of quality evaluation. Firstly, evaluation is conducted to review performance, identifying strengths and weaknesses. Secondly, it provides information about the service in order to improve the quality of the service and to demonstrate accountability. Thirdly, evaluation is aimed at encouraging personal and professional development. This study analyses the Integrated Quality Management System (IQMS), an evaluation system which was implemented in South African public schools in 2005. The IQMS is a clear reaction to the autocratic mode of evaluation that operated during the apartheid era and is a major shift from the old paradigm of external evaluators. The new paradigm calls for a joint collaboration between schools, districts and supervisory units with the overall aim of enhancing the quality of education in South Africa, in addition to addressing the inequities and injustices of the past. Since its introduction, very little empirical research has been carried out to establish whether the IQMS model addresses that which it was intended to. This thesis evaluates the extent to which the IQMS is perceived to have enhanced individual development and ensured improvements in teaching and learning.
The reconstitution of African women's spiritualities in the context of the Amazwi Abesifazane (Voices of Women) project in KwaZulu-Natal (1998-2005)
(2006) Stott, Bernice; Starkey, Anthony Roland
This study will investigate and critically evaluate the reconstitution of African women’s spiritualities in the context of the Amazwi Abesifazane project. This project forms part of the endeavours of Create Africa South, a Non Governmental Organisation situated in Durban, KwaZulu-Natal, which was initiated by the artist Andries Botha. It encourages women, post trauma, to ‘re-member’ themselves by creating memory cloths of embroidery and appliqué reflecting on their experiences in pre- and post-apartheid South Africa. This interdisciplinary study theorises that it is an archive that speaks about African women resisting destructive forces and reconstituting their spiritualities through the therapeutic effects of creativity. The study will not include research into the many other activities undertaken by Create Africa South. Rupture is implied in the use of the word ‘reconstitution’. Reconstitution encompasses the act of constituting again the character of the body, mind and spirit as regards health, strength and well-being of the women (McIntosh, 1970:261). In this study, spirituality is defined as the way in which the women in the Amazwi Abesifazane project reflect upon and live out their belief in God. The power of storytelling is examined from the perspectives of narratology, narrative therapy, sewing and orality/literary studies as resources for the women’s reclamation of their lives. Defining feminisms in South Africa is problematised by issues of race, class and culture. In a context of poverty, everyday survivalist strategies are the diverse forms of resistance seen in the Amazwi Abesifazane project. The women’s stories, cloths and interviews are triangulated as primary data. They are examples of the rich art of resistance against despair and are located in a paradigm of hope. In conclusion, I strongly call for government support in declaring the project a national archive. The multidimensional mediums of the Amazwi Abesifazane/ UbuMama projects nurture the women’s creativity and revitalise their spiritualities towards personal and national transformation.
The influence of the fine art market on the work produced by black artists (post 1994)
(2009) Shibase, Thembalakhe; Roome, John William
This paper explores the chronological relationship between the fine art market and the work produced by black South African artists since the emergence of a black urban class in the 1940s. It stems from the hypothesis that historically the art market had (and to some degree, still has) a major influence on the works produced by black artists in South Africa. In the introduction I contextualized the title of this dissertation by discussing the definitions of the terminology which feature therein. In Chapter One I have contextualized the study by looking at the historical background (the pre-1994) of South African art. I have specifically looked at how the socio-political conditions of that time influenced the work produced by black South African artists, hence the emergence of Township Art and Resistance Art. In Chapter Two I looked at the roles played by art institutions, galleries, and organizations in the stylistic developments made by black South African artists between the 1950s and 2000. The discussion of the influential role played by such informal institutions as Polly Street Art Centre, Jubilee Art Centre, the Johannesburg Art Foundation and many others on black artists forms a greater part of this chapter. Also included in this chapter is the discussion which examines the hypothesis that many black artists who do not have a formal academic background constitute a greater part of the informal art market. Tommy Motswai, Joseph Manana and Sibusiso Duma are examples of such artists and their work is discussed in depth. David Koloane, De Jager, Anitra Nettleton and other writers who have made literary contributions to South African art history, have been extensively cited and critically engaged in this chapter. iv In Chapter Three I discussed contemporary perceptions of the formal art sector, particularly in the post apartheid period. In this regard I looked at what defines mainstream or high art and how it differs from the marginal forms of art which are discussed in the preceding chapter. In this discussion I looked at the work of Sam Nhlengethwa, Colbert Mashile and my own work. In my discussion of their work I mapped out the characteristics of contemporary mainstream art, focussing primarily on 2-dimensional art.
The impact of socio-cultural factors on blended learning in the development of academic literacy in a tertiary vocational context
(2009) Gutteridge, Robert Geoffrey; Pratt, Deirdre Denise
This study investigated key factors impacting on blended learning delivery with particular focus on socio-cultural and human-computer-interface issues, in the hope that the outcome of this enquiry might contribute positively towards the empowerment of learners and facilitators alike. The study involved a group of first year students enrolled in a Communications Skills Course offered by the (then) Department of English and Communication at the Durban University of Technology. The PRINTS Project, a webquest around which the course activities were based, provided an example of a blended delivery course in practice. While the teaching paradigm used in the course was constructivist, the research orientation employed in this project was critical realist. Critical realism focuses on transformation through praxis and also lends itself to modelling, which provides a way to understand the factors at play within a social system. In the preliminary stages of the research, an exploratory empirical (i.e. applied) model of blended learning delivery was formulated from a theoretical model of course delivery in order to assess which factors in blended learning were systemic and which were variables. The investigation then sought to uncover key factors impacting on the blended delivery system, utilising both quantitative and qualitative methodologies. The findings were analysed in terms of the empirical model to gain an understanding of any factors that might be seen to either enhance or inhibit learning in blended delivery mode. The result was that certain core issues in blended learning and teaching could be clarified, including the use, advantages and disadvantages of information and communication technologies (ICTs) in a learning environment. The notion of the digital divide could also be reconceptualised, and the relationship between literacy (be it academic, professional or social), power and culture could be further elucidated, drawing specific attention to the South African educational environment. The notion of iv culture and its relevance in a blended delivery environment was also further clarified, since the findings of this research project suggested how and why certain key socio-cultural factors might impact, as both enhancers and inhibitors, on the blended learning delivery system.
The language of digital learning : developing an e-learning approach for the elderly
(2010) Sheridan, Richard David; Pratt, Deirdre Denise
The purpose of this study was to investigate the current learning methods that are typically used by special populations (an elderly subject group), and to explore their general level of effectiveness. The primary research questions explore how this subject group is currently learning to use the Internet and for what purposes, along with what the typical barriers are that this group experiences when seeking to use the Internet, together with factors that motivate them to participate in learning programs. This study has special relevance for elderly adults along with computer instructors who specifically train the elderly to learn to use the Internet. The findings may also be of interest to others who interact with other special populations, directly or indirectly, including web designers, healthcare professionals, librarians, and others. The project was prompted by the author‘s experience teaching and observing elderly adults learning to use the Internet, and his desire to develop a more effective teaching strategy for them. The thesis explores the basic principles of adult learning, including components from self-directed learning, the theory of multiple intelligences, ethnographic research and other theories and approaches that have the potential of contributing to teaching this subject group, including the use of language in describing their learning successes and failures. Data analysis consisted of observing over 200 older adults learning to use the Internet over a two-year period. The evaluation of participants was based on empirical (defined in the glossary) and subjective analysis of levels of participation, progress and other factors. To supplement the large-scale results with rich data, the author of this study also performed detailed interviews with 14 elderly Internet users along with five teachers of the elderly. Additional material was gathered from academic journal articles, online databases and other related sources. The author tested and applied several research methods to achieve the most effective outcome. This iii included participant observation from ethnographic research, along with empirical and basic quantitative research. The author also uses autoethnography in his research approach, an emerging qualitative research method that allows the researcher to write in a highly personalized style, drawing on his or her experience, as kind of a autobiographical personal narrative. The intent of auto-ethnography is to acknowledge the link between the personal and the cultural and to make room for non-traditional forms of inquiry and expression. In embracing personal thoughts, feelings, stories, and observations as a way of understanding the social context they are studying, these researchers are also shedding light on their total interaction with that setting by making their every emotion and thought visible to the reader. Auto-ethnography also gives researchers an opportunity to do primary research and draw data from their observations. An identifiable pattern that is reviewed in more detail in the Results section emerged from these different findings. The primary outcome that emerged is that there are many approaches to learning, and these methods need to be examined, tested and selectively adapted for each individual to achieve the maximum benefit. The widespread demand for Internet training has resulted in fragmented and inconsistent training schemes that are generally focused on classroom-based instruction. The author encourages a systematic self-testing by the subject group member (and their teachers) to explore currently available training methods and combine the elements that they find most effective towards a personalized approach to learning based on individual interests, aptitudes, and the availability of the local training resources. The percentage of the elderly using the Internet is rising rapidly, and the current training options are limited in some areas in the United States. Based on the author‘s empirical observations, the self-directed approach to learning appears to show the most promise for this elderly subject group, in the sense that they generate their own best learning schematics, while their instructor guides and facilitates the process. iv This thesis has made a primary contribution to the research in several ways. First of all, the author made a synthesis that has not been made previously. He combined the concept of self-directed learning with several methods of learning improvement, such as the use of assistive technology for the disabled, memory skill-building, and the application of symbols and metaphors to increase the ability of this subject group to comprehend the learning materials. This is arguably the best approach for adapting to this rapidly evolving subject group population. Additionally, he applied the concept of kaizen, a Japanese term from their manufacturing sector that represents continuous, ongoing improvement, to teach to members of this group the concept of self-monitoring and improvement. Additionally, the research was cross-disciplinary and used different methodologies, including ethnography, empirical and basic quantitative research. Several additional contributions and innovations are described later in the thesis.
The creation of a multi-cultural identity for window displays in Durban's fashion retail shop fronts
(2012-08-17) Lichkus, Sarah Christine; Kadwa, Farida; Pratt, Deirdre Denise
The purpose of this study was to explore the possibility of creating shop window displays focussing on a South African identity in the Durban region. The impetus for the study stemmed from the design of the Constitutional Court which features elements of South African culture. This study challenges the contemporary notion of presenting window displays using primarily Western influences and proposes the use of fashion imagery and cultural identity currently dominating South Africa. The study argues against corporate fashion stereotypes and champions a representation of an eclectic multi-cultural South African society. In this respect key theories of identity, culture, and design were explored. A qualitative methodology was conducted utilising interview and observation approaches to obtain data. Semi-structured interviews were conducted with twelve local professionals specialising in the fields of art, design, fashion and architecture to obtain their expert opinions. The data was analysed by clustering information into themes to establish the findings. Interview findings revealed that shop window displays should accommodate local imagery appropriate to the South African context. Observing two local production houses, namely Hirt & Carter and Barrows in Durban provided insights for a backdrop creation for the practical component of the study. The practical comprised of producing retail shop installations and a visual catalogue representing findings drawn from the study. The catalogue was used to illustrate the results of investigating a national image and identity that could be intrinsic to window display creation in South African fashion retail shop fronts.
Development of an interpreting service model at the Durban University of Technology
(2012-08-17) Makhubu, Rosethal Loli; Pratt, Deirdre Denise
This research deals with the development of a model of interpreting services for a newly merged multilingual University of Technology, the Durban University of Technology. The rationale for the study was the urgent need to give students whose mother tongue is not the medium of instruction (i.e. English) equity of access to higher-degree education. The research was carried out within a critical realist approach, which seeks to transform society by practical application of theory. Unlike previous studies in interpreting, this research focuses on the service provision aspect of interpreting. It falls within the field of educational interpreting, but goes beyond the classroom situation in considering other university interpreting needs, such as seminars and in-house conferences, graduation and other ceremonies, operational meetings and labour-related meetings. Franck‟s modelling process was used to formulate a theoretical model of the interpreting service delivery mechanism using data gathered during visitations to local and international universities. The theoretical model, or system of essential functions, was used to arrive at the applied aspect of the mechanism, termed an empirical model of interpreting service delivery. The model was then validated in terms of its application in various contexts at the Durban University of Technology. It is suggested that the theoretical and practical models developed have application not only for educational interpreting, but also in other interpreting contexts. The models are also considered to have relevance for service delivery in general, which is a critical issue at present in South Africa.
A documentary investigation of the Imvunge group of street photographers in Durban with specific reference to the develpment of photographic and business skills (1999-2009)
(2012-08-17) Khubisa, Mandla Bheka Moses; Starkey, Anthony Roland; Zulu, Sylvia P.
The aim of this research is to document and evaluate the Imvunge group of street photographers in Durban with specific reference to the development of photographic and business skills from 1999 to 2009. This study will focus on a discussion of how members of the Imvunge group started their photographic careers as street photographers and how, through participating in projects and workshops, they developed their photographic skills and became professional photographers. This will include an investigation of both photographic skills such as image capturing, lighting techniques, image presentation and visual literacy; as well as business skills such as basic accounting and marketing. Chapter One provides an account of the history of photographic techniques and street photography in Europe, Africa, South Africa, KwaZulu-Natal and Durban in order to provide a context to the formation of the Imvunge group of photographers. Chapter Two provides an historical background of the candidate’s work as a street photographer in Durban from 1969 to 1989, before registering at Technikon Natal for formal training in photography. It also discusses his life history from being a young businessman, a lecturer, in order to provide information regarding the business and photographic skills acquired and which he was able to impart to street photographers. Chapter Three documents the formation of the Imvunge Street Photographers’ group; the partnership between the Imvunge group and the Durban Art Gallery, the Imvunge group’s exhibitions and projects, the history of selected members of the Imvunge group and an analysis of their work to provide evidence of an improvement in their photographic skills. The conclusion will present findings from this research project and will include a proposal for areas of research.
Mirage of us. A reflection on the role of the Web in widening access to references on Southern African arts, culture and heritage
(Tydskrif Vir Letterkunde, 2010) Stewart, Graham Douglas James
This article outlines the broad aims of the Encyclopaedia of South African Arts, Culture and Heritage (ESAACH) Project then goes on to consider the ESAACH Website as a networked resource that speaks to the project’s vision of accessibility and participation. The wiki architecture is highly accessible to users and contributors alike. In addition to its robust structure as a reference work, a wiki encyclopaedia facilitates networked social collaboration uniquely suited to the co-operative principles of the project. Subject area specialists will exercise editorial control over the content of the wiki, and work with the Editor-in-Chief, Associate Editors and peer reviewers to assess contributions, recommend editorial corrections, and select articles, essays and entries for inclusion in the printed volumes of the encyclopaedia. The paper surveys existing Web-based reference sources on Southern African literature, arts and culture; provides an account of the evolution of the Verbal Arts section of the ESAACH wiki; and discusses the prototype ESAACH wiki.
Introduction
(Alternation. International Journal for the Study of Southern African Literature and Languages, 2002) Stewart, Graham Douglas James
Humanities Computing is a new discipline unfamiliar to the South African literary community. This special number of Alternation is intended to bring some perspective to the practice of humanities computing in South Africa by publishing a divergent set of reflections and approaches to the introduction of computers into the contemporary study of literature, and in particular the study of South African literature. The papers in this issue may also be viewed against a backdrop of a curriculum for humanities computing. The wide range of approaches reflected by the contributors suggests that there is no such curriculum as yet in South Africa, but the quality and innovativeness of the articles represents a first attempt to find a coherent conceptual framework to accommodate a humanities computing research agenda and provide a springboard for further development. Because the field of humanities computing is as yet ill-defined, the articles in this edition are inevitably eclectic - indeed, the primary purpose of this edition is to range as widely as possible over an emerging discipline to identify focus areas and expose areas of contention and also future research directions. One dispute which emerges here is between enthusiastic converts to digital technologies and skeptics. The former tend to dwell on the benefits that the systematic exploitation of lCTs can offer the humanities, and the latter -who are more apprehensive about the contribution computers can make on the humanities--on its limitations and disadvantages.