Faculty of Arts and Design
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Item A feminist study into the field experiences of female SABC reporters(2023-03-01) Govender, Genevieve; Frankish, Tarryn; Muringa, TigereThis study aimed to explore and describe the field experiences of female radio reporters at the South African Broadcasting Corporation (SABC) from a feminist perspective; to ascertain if sexism and harassment is experienced, and if so, in what ways. The study also aimed to determine whether or not patriarchy underpins interactions with newsmakers while reporting, and if so, to what degree. Numerous studies have been undertaken turning the lens into newsrooms and media organisations with regards to gender transformation. While more women have become part of the new machinery post democracy, studies have shown that these women still face staggering incidents of sexism and patriarchy, creating for them glass ceilings that prevent their upward progression towards news management. Studies further indicate that sexism and patriarchy are often nuances and embedded into daily newsroom interactions. Significantly, researchers argue that the problem is a societal issue manifesting within the news industry. The study therefore explores the field experiences of female reporters in relation to patriarchy and sexism. This research was a feminist study, which employed a qualitative approach with a critical theory paradigm. The sample consisted of eleven (11) female reporters employed within the South African Broadcasting Corporation, given the extensive reach of the public broadcaster and the multiple beats covered by the radio employees. The findings of this study detail multiple layers of discrimination and harassment experienced by female radio reporters within the SABC when engaging with newsmakers. Evidenced in the research is the manner in which entrenched societal and cultural values limit and influence the productivity of the reporters and in some instances, impede their freedom to effectively tell the story. Aside from the documented glass ceilings that stunt the upward progression of female reporters, the study posits the existence of invisible walls that stymie their transversal advancement within their designated scope of reporting.Item Pornographic objectification of women through Kwaito lyrics(Routledge, 2012-10-29) Blose, MaudThis Profile discusses the portrayal of women through Kwaito music and their frequent pornographic objectification in the popular township music genre. It considers the apparent shift away of Kwaito from its roots in the moment of popular expectation of the liberated South Africa and its desire to be an expression of the voices of the townships, both democratic, indigenous and controversial. The Profile draws on research to enquire into opinions of fans on the representation of women and asks whether the musicians have strayed from the track which has brought them into the limelight, popular support and success. While not representative of the whole genre, the Profile reviews a sample of lyrics and asks if there is another direction where popular music might go, particularly, whether gender equality and women’s sexual exploitation will continue to exist in tension and contradiction. It is argued that popular music as an example of township music culture that embraces the ideas of post-apartheid freedom and that speaks to the democracy, and of non-racism and gender equality, may have been overtaken by a more compelling commercial pull: that as long as it sells on the streets, anything goes. It is argued that gendered cultural values hold importance both in how women are represented by men and women in a male-dominated music industry and in a culture that must increasingly be aware of the crisis posed to women of uncritical acceptance of cultural messages that accept gender violence and abuse as a necessary ingredient for success.