Faculty of Arts and Design

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An advanced ensemble approach for detecting fake news
(2021-12-12) Hansrajh, Arvin
The explosive growth in fake news has evolved into a major threat to society, public trust, democracy and justice. The easy dissemination and sharing of information online provide the unabated momentum. As such, it has become crucial to combat the menace of fake news and to mitigate its consequences. Detecting fake news is an intricate problem since it can appear in a multitude of forms, thus making it both automatically and manually very challenging to successfully recognise. Furthermore, fake news is intentionally created to mislead and is often interspersed with real news. Studies have shown that human beings are somewhat unsuccessful in identifying deception. The majority of people accept that information they are presented with in virtually any form is reliable or veracious. The relevant literature reveals that a considerable number of people who read fake news stories report that they find them more believable than the news that is disseminated via mainstream media. Furthermore, there are predictions that by 2022, the greater population within mature economies are likely to consume more false than true information. The importance of combatting fake news has been starkly demonstrated during the current Covid19 crisis. Social media networks are significantly increasing their efforts to develop fake news detection mechanisms, as well as to enlighten subscribers on how to recognise fake news, however most people are naturally predisposed to spreading sensationalist news without any fact-checking process in place. It is therefore evident that the creation of automated solutions is vital and urgent for the detection of untruthful news and as such, the goal of this study is to aid in the detection of fake news. Prior studies have included many machine learning models with varying degrees of success but many non-conventional machine learning models have not yet been exploited despite evidence to suggest that they are the best in several text classification scenarios. Consequently, an ensemble learning approach is suggested to assist in resolving the gap that has been identified. Contemporary studies are validating the efficiency of ensemble learning methods and have provided encouraging outcomes. This study investigates how machine learning and natural language processing methods are pooled together in a blended ensemble in order to build a model that will utilise data from past news articles, to forecast whether a current news article is likely to be false or true. A variety of performance metrics such as roc, roc auc, recall, precision, f1-score and accuracy are used in comparing the proposed model to other machine learning models. The measurements are applied in evaluating and gauging the efficiency of the proposed model. The results obtained show that the proposed model’s performance is better than several other learning models, which is very encouraging.
Apartheid, crime, and interracial violence in Black Boy
(Sage Publications, 2013-03-25) Makombe, Rodwell
This article critically interrogates the interplay of compatibility among crime, violence, and racial discrimination in Wright’s biographical novel Black Boy (BB). It exploits parallels between selected postcolonial and criminological theories to conceptualize crime and violence as a way of negotiating and translating hegemony in the third space of cultural enunciation. The objective of every oppressive system is to have an absolute monopoly on all structures of power, to make sure it has “total” control. This is evident in the American South where laws were enacted to exclude African Americans from the social, political, and economic spheres of life. However, that same system that was designed to silence and marginalize African Americans also, inadvertently, created spaces that led to the emergence of subcultures of resistance. This article focuses on criminal subcultures of resistance that emerged as a result of and in direct response to institutionalized racism/apartheid.
Arts and censorship in South Africa 1948-2000
(2000) Allard, Raymond H.
This dissertation is concerned with the effects of censorship on the arts community during the apartheid era in South Africa, and in the post apartheid era that followed. Through interviews and various sources, a picture will be presented that examines the contrasts and similarities of the two eras. Chapter One will present an overview of South African history, from its beginnings in 1653 to the first popular election in 1994. It will show how the religious beliefs and accompanying attitudes of the in-coming colonialists created a social atmosphere in which the system of apartheid was able to flourish and grow. It will also show how apartheid ultimately crumbled under pressure from growing resistance and violence among the people it sought to control. Chapter Two is comprised primarily of the results of several interviews with selected artists, showing how the various individuals thought about censorship, how they dealt with all the restrictive laws, and how they were able to pursue their art making under these conditions. Personal experiences illuminate the effects of such censorship, and opinions about the value and necessity of censorship are summarized. Various of the interviewees talk specifically about what actions they took under the apartheid regime, and how they viewed, and continue to view, the role of the artist in society. Chapter Three uses several case studies to illustrate what is currently happening concerning censorship and art in the post-apartheid era. Opinions and reactions to current conditions will be presented, and specific instances of censorship or attempted censorship will offer a comparison with the previous era. This will illustrate how much liberty artists today enjoy in South Africa. Several significant issues are raised by such examples; Issues of potency and importance to any culture. Finally, the artists themselves look ahead, and provide a picture of the future for arts in this society .
Citizens’ satisfaction with the South African police services and community police forums in Durban, South Africa
(Social Sciences Research Society, 2020-10-19) Dlamini, Siyanda
Societies’ views concerning the Criminal Justice System institutions are shaped not only by opportunities to interact with such institutions during normal work but also in part by efforts due to the larger mission (of these institutions) of encouraging and supporting such attitudes. After 1994, the new leadership in the South African Government promoted the importance of citizen-police relationships to enhance the quality of police services and, consequently, its impact on community policing. Moreover, in any democracy, the public`s attitude strongly shapes the policies and decisions of Criminal Justice System institutions such as the police. It is precisely in this context that the primary objective of this paper is to explore the Durban community`s satisfaction with the South African Police Services (SAPS) and the Community Police Forums (CPFs) in crime combating. A qualitative research approach was adopted to explore such perceptions in the study area. The findings collected through focus group discussions (FGDs) and semi-structured interviews with the community members suggest that citizens were less satisfied with SAPS and CPFs in the study area, partly owing to the perceptions of corruption and lack of trust. These findings may be used as a guide, especially by the community members and the police, to focus on issues which affect most of the community particularly those that may lead to worse results if not timeously attended to. This paper recommends that initiatives of building trust and combating corruption be jointly organised, as these can assist in police confidence by the society.
A critical appraisal of the role of retribution in Aníkúlápó : the movie
(Universitas Djuanda, 2023-12) Adedokun, Theophilus Adedayo; Olanrewaju, Abolaji Christianah
This study examines Aníkúlápó, a Yoruba historical movie, to elucidate cultural perspectives on retributive justice. The study is grounded in the Yoruba worldview, which frames retribution as essential for restoring cosmic and social equilibrium when moral norms are violated. The data analysis used textual analysis of Aníkúlápó’s narrative depictions of crime and punishment as insights into traditional Yoruba principles of retributive justice. The findings reveal that the movie accurately portrays customary public punishment processes in precolonial Yoruba society aimed at communal justice and harmony. Beliefs in supernatural forces dispensing divine retribution are also authentically represented. While punishments seek to deter crime and rehabilitate offenders, scholarly critiques note occasional unfairness and excess. Overall, the analysis of the movie illuminates the pivotal role of retribution in Yoruba's cultural identity and moral philosophy. The key themes in the study relate to retribution's links to cosmic balance, supernatural dimensions, and functions as deterrence and rehabilitation. By situating the analysis of Aníkúlápó within scholarship on African jurisprudence, the study elucidates Yoruba perspectives on fate, choice, proportionality, and pragmatism when responding to moral complexities and wrongdoing. This study contributes original humanistic insight into indigenous African philosophies of social harmony beyond punitive justice. This study recommends comparing diverse narratives and contemporary attitudes to enrich the understanding retribution's nuanced cultural significance.
A critical linguistic discourse analysis of participant narratives in the construction of citizenship education at a University of Technology
(2017-08-25) Reddy, Komala; Pratt, Deirdre Denise
This study is concerned with how citizenship education might be seen to take place in Universities of Technology, which are associated with applied knowledge of a technical nature. Higher education is thought to have a role in the nation’s social, moral and spiritual life in transmitting citizenship and culture in all its variety and in enabling personal development for the benefit of individuals and society as a whole. This study explored whether universities of technology do indeed promote a culture of citizenship in order to serve society, and how, by analysing the discourse of educators and students to see how citizenship education might be constructed. The aim was to identify indicators in participant discourse which might be linked to themes occurring in models of citizenship education. It was hoped that analysing participant discourse might reveal which aspects of citizenship were potentially empowering in terms of fostering individually autonomous yet socially conscious citizens. Within a critical linguistic approach, a mixed methods research design was applied, using questionnaires and semi structured interviews and discourse analysis. The discourse analysis involved a content analysis of written texts, and a critical discourse analysis of the transcribed focus group texts. The results of the questionnaires and semi structured interviews yielded indicators of citizenship based on personal values, values relating to social responsibility, and issues relating to the legislature, as enshrined in the South African Constitution. An analysis of the faculty community engagement texts revealed what kinds of ad hoc measures the university was setting in place to foster informal and therefore implicit citizenship education. The critical analysis of student focus group discourse revealed what aspects of citizenship education students were learning informally, as well as to what extent they felt that they were being empowered as self-actuating yet socially conscious citizens of a multicultural democratic country. This study is thought to be of value, as, at the time of the study, the university involved was engaged in a transition between offering informal and implicit options for citizenship education, such as work integrated learning programmes and community engagement projects, and formally curriculating citizenship education into the syllabus in the form of General Education modules, which was still work-in-progress at the end of the study.
Cultural nationalism in Mashingaidze Gomo’s A Fine Madness
(SciELO, 2014) Makombe, Rodwell
For many years, African countries have struggled to develop an ideological framework that suits the dynamics of the African context. From the writings of literary artists to those of political figures such as Kwame Nkrumah, the call has remained consistent: Africa needs to formulate its own path of development and disentangle from the tentacles of colonialism and neocolonialism. While négritude, as a cultural movement, was a direct response to the impact of Western civilisation on Africans in the aftermath of colonization, Gomo’s A Fine Madness may be read as a response to the West’s dominance in the neoliberal global order. It interrogates the relationship between Europe and Africa in light of persistent war and instability in Africa, particularly in the Democratic Republic of Congo. Like négritude, Gomo’s work advocates the promotion of African ways of doing things politically, economically and culturally and shuns neocolonial relationships of exploitation. Adopting an anti-imperialist position, A Fine Madness holds the West responsible for fuelling conflict in some African countries for commercial gain. The article interrogates the concept of cultural nationalism as it has been appropriated in Gomo’s work. Focusing on selected poems, the article argues that A Fine Madness is a militant intervention in African politics, and a voice of resistance to the obtaining neoliberal global order.
A cultural studies project : exploring the perceptions of undergraduate media university students on the representations of black gay men in two of South Africa’s leading telenovelas, Uzalo and The Queen
(2022-09) Dube, Andile Samuel; Frankish, Tarryn; Wade, Jean Philippe
Even though the South African Constitution protects the rights of LGBTQ+ people and bans discrimination based on sexual orientation, gay people in this country are still victims of the most horrific homophobic abuse and vile discrimination. By venture of its vast reach, the media, television in particular, is an important tool to educate and inform people of the rights of gay people and teach about sexuality. Content creators are responsible for producing the programmes people are exposed to on television, therefore, they are tasked with creating representations of gay people. This study explores the perceptions of media undergraduate students on the representations of black gay people in television, specifically, SABC1’s Uzalo and Mzansi Magic’s The Queen. These two telenovelas have been chosen, because they have black gay characters and are among the most-watched shows on prime-time television. Uzalo has an average of approximately 10 million viewers and The Queen has roughly eight million viewers per episode. The research followed a Cultural Studies approach to explore the role of telenovelas and the active audience paradigm to examine the dynamics of power in the representations of LGBTQ+ on television in South Africa. The study also draws on feminism to highlight the discrimination of the LGBTQ+ community in the African continent. Representation Theory is used as a lead theory in this study, while Social Cognitive Theory is used as a second theory. Two focus groups were held with undergraduate media students from the Journalism Programme and Video Technology Department from the Faculty of Arts and Design in a South African university. Thematic analysis was used to analyse the data from these two focus groups. The study found the visibility of gay people on television has increased over the years. In addition, there are instances where the representation is positive and educational, however, the majority remains negative and relies on stereotypes. These findings indicate the media is a powerful tool that can be used to educate the wider public with regard to marginalised people. Going forward, educational implications of LGBTQ+ persons’ representations need to be considered when represented. Therefore, the study posits that representations on popular culture are important as these telenovelas are part of creating the reality that is lived by the minorities they represent. As such, television does not only represent the world, but it helps in its creation and the audience who watch these telenovelas are co-creators
Decoding government publications : a reception study of the Metro Ezasegagasini
(2024) Payet, Charmel Nikita; Usadolo, Sam Erevbenagie; Ngubane, Zwakele
The government is responsible for transparently communicating with the public about its work. To fulfil this mandate, the eThekwini Municipality distributes the bi-weekly Metro Ezasegagasini publication as a communication tool, with almost similar content to community newspapers. Community newspapers have survived the decline in newspapers as their news coverage is of interest and focused on the communities they cover. This study explored how readers of the Metro Ezasegagasini decode the content and the influence this may have on how they perceive the municipality. The Theory of Reception was used as the analytic lens in the study because the theory focuses on the way an audience decodes text. A qualitative research approach was adopted because this study aimed to gain insight from the readers’ experiences with the metro publication. Data was collected from three focus groups in rural, township, and urban settings. A thematic research approach was used to analyse the data by identifying, analysing, and then reporting on themes. The study found that the Metro Ezasegagasini was fulfilling its role of educating and informing the public about developments in the city. It also emerged that the different backgrounds of participants impact how readers interact with the text and whether they view it as a credible source of information. Participants from the township and rural areas adopted a more favourable position to the publication, while participants from the urban community were more critical of the content. The study also found that participants enjoyed reading the publication because of its strong community focus. Another issue that emerged during the study was the accessibility and distribution of the publication, with many readers highlighting the lack of easy access to the publication.
Gender-based violence : an exploration of its forms, concepts and causes in South Africa
(2022-05-28) Olalere, Folasayo Enoch
Just as in many other countries, Gender-Based Violence (GBV) is also pervasive in South Africa, where cultural norms and gender-based customs and traditions condone and reinforce abusive practices. Even though women are the most reported victims of gender-based violence, research shows that men too can be victims. According to Article 13 of the Istanbul Convention, a preventive intervention requires heightened awareness as a first step in changing attitudes and behaviour that perpetuate the different forms of GBV. However, to create an effective awareness, the various forms, concepts, and causes of GBV must be identified and used as a guide in developing awareness. Hence, this paper seeks to investigate the forms, overarching causes and contributing factors influencing the prevalence of gender-based violence in South Africa. The study conducted a systematic literature review to identify, select and critically appraise existing empirical studies on GBV in South Africa. The systematic review used PRISMA guidelines for literature selection and Joanna Briggs Institute (JBI) data extraction form to extract relevant data, and this data was further analysed using thematic analysis. The findings from the systematic review were described using a summary table, which reveals the different forms of GBV, the overarching causes and the contributing factors to GBV in South Africa. These findings will help develop awareness campaigns that challenge persistent myths, prejudices, stereotypes and disrupt different pathways that lead to GBV
Graphic design for social justice in South Africa
(2012-10-16) Ravjee, Latha; Andrew, Richard Charles; Sutherland, Ian Gilbert
In this dissertation I examine of the role of graphic design in the struggle for social justice in South Africa - with specific reference to the concept of human rights. I am motivated by an overwhelming awareness that the Bill of Rights in post-apartheid South Africa exists in striking contrast to the daily struggles for human dignity. In addressing this contradiction I present a historical examination that focuses on the visual impact of the creative combination of images and text to effect socioeconomic and political change. Drawing from Steve Biko’s philosophy of psychological liberation and Paulo Freire’s educational philosophy for critical thinking, I distinguish between propaganda and education. I take the stand that people are not really free if they blindly accept the myths of the established state order and I explore the various ways in which society is misguided by these myths. I argue that unlike graphic design that maintains the status quo and represents the propaganda of the established order, ‘graphic design for social justice’ represents the voice of people’s power against state power. Through this study and practice I conclude that the role of graphic design for social justice in South Africa is to uncover the myths of state power by presenting scenarios that encourage critical thinking, dialogue and open debate about power and the abuse of power in the continued struggle for human dignity. It is intended that this body of work, and the exhibition that results from it, contributes in part to the writing and documentation of a history of South African socio-political graphics.
Integrated arts as a transformational medium of instruction in KwaZulu-Natal schools : a narrative self study
(2012-09-10) Peat, Beth Maureen; Pratt, Deirdre Denise; Peppas, Mikhail
South Africa’s dynamic post-Apartheid education climate is beset by a plethora of new policies designed to transform education. Our county’s educators are expected to be the alchemists of change to create the new and transformed society envisaged in these policies, albeit with insufficient logistical planning and support. Moreover, so many of our schools are operationally dysfunctional, with literacy and numeracy levels at an all time low. Under these daunting circumstances our Provincial Education Department Teacher Development Institution, Ikhwezi In-Service Training Institute, develops training materials and delivers courses aimed at implementing policy while at the same time modelling progressive, internationally recognized and democratic adult-based methodology. In this self-study project of my departmental work with a group of trained educators, I use action research to trace the potential of integrated arts to transform teaching and learning in under-resourced rural and township classrooms. An aspect of this self-study looks at the therapeutic potential of the arts in my own life and career as an arts educator. When my Masters research revealed the dramatic effect a project-like arts approach to teaching could engender, I was motivated by compassion to develop the work further to reach a broader base of learners. I also wished to educate the authorities into mainstreaming the default marginalising of the arts in schools by developing photographic, written and video evidence promoting the arts in schools, mainly to emphasize their holistic educational role, but also as an essential healing, a potential remedy for the ills of the past that continue to impact on the present.
Investigating health care providers’ attitudes towards victims of sexual violence and abuse in a university in south west Nigeria
(Journal of Critical Reviews, 2020-07-21) Adedokun, Theophilus Adedayo
Health care providers play a fundamental role in the society as the foremost members of the health care service team for the victims of sexual violence and abuse and their attitudes towards victims of sexual violence and abuse can play an essential role in the standard of health care services provided for sexual violence and abuse victims. Thus, this study investigates the attitude of care providers towards sexual and abuse victims in a university health center in Nigeria, Obafemi Awolowo University in South west Nigeria. A random sampling of 40 students of Obafemi Awolowo University and 15 health care providers from Obafemi Awolowo University health center was conducted. A survey and focused group discussion were used as the research instrument of this study. The result of the study shows that the females are mostly the victims of sexual violence and abuse and this is because of the attitude of culture towards female gender. The finding also reveals that sexual violence is a function of power relation between the abused and the abuser and this study concludes that sexual violence is an abuse of power. The study also showed that health care providers have insufficient knowledge in dealing with sexual violence and abuse victims. This study therefore recommends that health care providers should be more professional in dealing with victims of sexual violence and abuse. Health facilities should also provide posttraumatic intervention within the health facilities to complement the work of health care providers and to soothing the pains of the victims.
Lesotho police education and training in community conflict management : a case study of the child and gender protection unit in Maseru (CGPU)
(2022-09) Molefe, Clifford Fonono; Mukeredzi, Tabitha; Preece, Julia
The purpose of the study was to explore how the Lesotho Child and Gender Protection Unit (CGPU) in Maseru, under the Lesotho Mounted Police Service (LMPS), managed conflict situations when dealing with families and communities. The study examined the extent to which police had received training in conflict management and the kind of further education and training that was still needed to manage conflicts more effectively. The police mediated through interviews with affected individuals. The LMPS Strategic Plan describes the vision of the LMPS as follows: “By 2016, the LMPS shall be a professional and accountable police service, providing safety and security in partnership with the community, with particular emphasis on crime prevention, reduction, detection and human rights observance” (LMPS n.d. n.p.). This mandate has direct relevance to my study and the formation of the CGPU. A Qualitative case study design was used. It covered two police stations in the country, namely the Maseru Urban and Maseru Rural police stations. These police stations are in two administrative districts in the rural and urban areas of Lesotho. Thirty (30) people, including police and family members were interviewed. Sixteen (16) police officers and 14 community members in Maseru responded to a semi structured interview guide. Eight of these officers and seven of the community members were also observed during mediation sessions. This study adopted the symbolic interactionism theoretical framework, which acknowledges that different people perceive issues differently. Individuals use language to communicate meanings they think are relevant to a certain group of people, and interaction with symbols becomes the key aspect of communication. As a result, meanings and language play a role in aggravating or decreasing conflicts in families. It was evident, when taking a symbolic interaction perspective, that police culture and institutional language held its own forms of meaning-making, thus making it a fine line between making meaning out of the language of the law and finding ways to make sense of the conflict through cultural and gender perspectives. Meaning making was therefore complex and sometimes contradictory. Since the police deployed in the CGPU should perform professionally, the study dwelt on whether the police had the relevant skills and knowledge as far as education and training were concerned. The findings revealed that the majority of the police had spent many years in the unit without access to education and training, either in or outside of the country. While education and training was the focus of the study, the study also revealed that cultural issues played a major role in conflict management. Participants had different views regarding this issue. Some believed that culture contributed to the fuelling of conflicts in families; however, there were those who believed that it did not play any role in aggravating conflicts. Gender issues became a key aspect in conflict management. It appeared that the police were occasionally biased when performing conflict management. These findings led to recommendations on how police in the Child and Gender Protection Unit (CGPU) should be trained on how to manage conflict situations more effectively in the Lesotho Mounted Police Service (LMPS). This included exploring how police managed gender-based violence or domestic violence in conflict situations. Findings revealed that the source of conflict were assault, abuse, gender based violence and misuse of family funds. Therefore, police working in CGPU needed education and training on the fields such as counselling, psychology, and play therapy. Adult education programmes for the police officers, planned with institutions like University of Lesotho (Institution of Extra-Mural Studies), were recommended.
The modus operandi of perpetrators for credit card fraud in the Vaal Region, South Africa
(Informa UK Limited, 2021-01-01) Maluleke, Witness; Motseki, Moses Morero; Mokwena, Rakgetse John; Dlamini, Siyanda
Card payments in South Africa continue to be a predominant part of the National Payments System in an evolving payments ecosystem. Due to the growing volume of electronic payments, the monetary strain of credit card fraud is turning into a substantial challenge for financial institutions and service providers, thus forcing them to continuously improve their fraud detection systems. This article attempts to explain the Modus Operandi (MO) of perpetrators of credit card fraud in the Vaal Region in South Africa. The article begins with an examination of the extent of the challenge and response by the relevant stakeholders, especially the Criminal Justice System (CJS). This study was carried out utilising a qualitative research approach with a convenience, purposive and snowball sampling techniques. Thirtynine (39) interviews were conducted to solicit the views of the participants and police investigators from Vanderbijlpark, Sebokeng, Sharpeville and Vereeniging police stations, members of the community, and victims of credit card fraud were interviewed. These interviews were analysed according to the phenomenological approach, aided with the inductive Thematic Content Analysis (TCA) to identify the participants’ responses and themes. The findings indicated that the extent of credit card fraud in Vaal region is reaching alarming rates. Based on the findings, the authors provided recommendations such as: police investigators being taken for regular workshops and training on how to investigate sophisticated methods used by perpetrators such as technology, awareness in the society about credit card fraud should be prioritised and enhanced.
Pornographic objectification of women through Kwaito lyrics
(Routledge, 2012-10-29) Blose, Maud
This Profile discusses the portrayal of women through Kwaito music and their frequent pornographic objectification in the popular township music genre. It considers the apparent shift away of Kwaito from its roots in the moment of popular expectation of the liberated South Africa and its desire to be an expression of the voices of the townships, both democratic, indigenous and controversial. The Profile draws on research to enquire into opinions of fans on the representation of women and asks whether the musicians have strayed from the track which has brought them into the limelight, popular support and success. While not representative of the whole genre, the Profile reviews a sample of lyrics and asks if there is another direction where popular music might go, particularly, whether gender equality and women’s sexual exploitation will continue to exist in tension and contradiction. It is argued that popular music as an example of township music culture that embraces the ideas of post-apartheid freedom and that speaks to the democracy, and of non-racism and gender equality, may have been overtaken by a more compelling commercial pull: that as long as it sells on the streets, anything goes. It is argued that gendered cultural values hold importance both in how women are represented by men and women in a male-dominated music industry and in a culture that must increasingly be aware of the crisis posed to women of uncritical acceptance of cultural messages that accept gender violence and abuse as a necessary ingredient for success.
The provision of interpreting services in isiZulu and South African Sign Language in selected courts in KwaZulu-Natal
(2016) Mnyandu, Nontobeko Lynette; Makhubu, R.L.
IsiZulu is a previously marginalized language and is spoken by 78% of people in KwaZulu-Natal (South Africa.info 2012). Signed language on the other hand, is not an official language in South Africa, although it is recognised despite the profession having undergone major transformation since democracy. This study hypothesizes that isiZulu and South African Sign Language interpreters both face challenges when given interpreting assignments. This study aims to create an awareness of the needs of the isiZulu speakers and deaf people when seeking judicial assistance and also to contribute towards the provision of quality interpreting services in some of the courts in KwaZulu-Natal. With this study it is hoped to assist the Department of Justice and Constitutional Development to be able to see where they can still improve on their system. This study was conducted only in four courts, therefore, the findings cannot be generalized to be the same in all the courts in South Africa. IsiZulu kusewulimi obelucindezelwe, kanti lusetshenziswa abantu abangamaphesenti angama-78 KwaZulu-Natali (SouthAfrica.info 2012). Ulimi lwezandla ngakolunye uhlangothi, akulona ulimi olusemthethweni eNingizimu Afrika nangale koshintsho oluningi olwenziwe kusukela kwaqala intando yabantu. Lolu cwaningo lucabangela ukuthi otolika besiZulu kanye naboLimi Lwezandla babhekana nezingqinamba uma benikwe umsebenzi wokutolika. Lolu cwaningo Iuhlose ukwazisa ngezidingo zabantu abakhuluma isiZulu kanye nabangezwa uma bedinga usizo lwezomthetho kanye nokuxhasa ekunikezeleni ukutolika okusezingeni elifanele kwezinye zezinkantolo KwaZulu-Natali. Ngalolu cwaningo kuthenjwa ukuthi luzosiza uMnyango Wobulungiswa kanye nokuThuthukiswa koMthethosisekelo ukuba ubone ukuthi yikuphi la okungalungiswa khona inqubo yokwenza yawo. Lolu cwaningo lwenziwe ezinkantolo ezine kuphela, ngakho-ke okutholakele ngeke kuze kuthathwe ngokuthi kuyafana ezinkantolo zonke zaseNingizimu Afrika.
The role of education in land restitution, redistribution and restrictions as individual, group and national empowerment through land reform
(2013) Yeni, Clementine Sibongile; Conolly, Joan Lucy; Sienaert, Edgard
This study is focused on the role of education to improve awareness of two critically important aspects of the South African situation 19 years after the first democratic elections in 1994. In the first instance, the study aims to augment the grades 10-12 Life Orientation curriculum to promote understanding and appreciation of land rights as human rights for every citizen in South Africa to address the social injustices of the past. In the second instance, the study focuses on grades 10-12 Agricultural Sciences curriculum to ensure that every learner who leaves school is in a position to care for land responsibly, and to use land productively for his or her own benefit and the benefit of others in the future. These foci have been informed by numerous interactions with people in four small communities on the Southern KwaZulu-Natal coast, who have been victims of landless as a result of the Group Areas act of 1960, and are claiming restitution for the land lost, and are required by law to make the restituted land productive. The study records first hand stories told about land ownership, landless, land claims, land restitution, and land (ab)use stories, in the form of narratives, such as autobiographies, auto-ethnographies, accounts of action research and self study. My research participants and I are the authors of our land stories. We tell our stories as a way of making the private public in the interests of a fair and just society. The forms of presentation include narratives, dialogues, playlets, literary references and critical reflections. The perspectives used include the native worldview, rurality as a dynamic, generative and variable milieu, the orality-literacy interface, the effect of oppression, and values and beliefs, customs and mores which (in)form a civil and civilised society. During the course of the study, the role of stories to reveal what is happening in the lives of those people most affected by unjust laws, and to empower them to take action in their own best interests became evident. The major role of education in land reforms cannot be overemphasized, which is why I have used what I have discovered from the many interactions with many people to inform two grades 10-12 school curricula: the grades 10-12 Life Orientation curriculum and the grades 10-12 Agricultural Sciences curriculum .
The role of senior management in improving educators' morale in public secondary schools in the Durban central area
(2002) Simjee, Fausia Banu; Prosser, Julia Judith
This study explores the role of senior management in improving educators' morale in public, secondary schools in the Durban Central Area. The reasons for a decline in educators' morale and effectiveness are senior management's lack of incentives and rewards, violence in schools, poorly disciplined learners, conflict, nepotism and public condemnation of educators. Other factors include: 'right-sizing', rationalisation and redeployment, lack of transparency during the promotion process and the negative attitude to the appraisal policy. Motivating educators will lead to improved school performance and promote enthusiasm and confidence amongst educators. The researcher will provide support on the topic from observations and a study ofliterature. The qualitative method of research was undertaken. The representative sample included principals, deputy principals, heads of department and educators from public secondary schools in the Durban Central Area. Evidence from questionnaires suggested that educators in the Durban Central Area are demoralised and therefore there is an urgent need to address their morale. The researcher examined the causes and symptoms of educators' demoralisation and senior management's role in improving their morale. This investigation focuses on problems which lead to the demoralisation of educators; the causes and symptoms of demoralisation and how educators can contribute to a healthy and professional culture in schools. It is suggested that senior management should motivate individual educators. Some measures proposed to improve and
Sharing our Stories : using an online encyclopaedia as the basis for a general education module on local history, creative writing and social justice
(LIASA, 2012) Stewart, Graham Douglas James
Conventional wisdom suggests that the best way of equipping first-year university students with the skills to cope with the rigorous demands of discipline-specific discourse is through an “academic literacies” approach. In other words, by developing their abilities to discern different disciplinary contexts and settings, students may more confidently adopt appropriate linguistic practices in their studies (Archer 2010: 497). I would suggest that where the approach frequently falls short, is in the narrow range of discipline-specific materials provided for student consumption. To achieve the desired levels of linguistic agility for university study, students need a mental gymnasium with a truly challenging set of apparatus. It is not only students of literature who need exposure to creative writing. Reading of creative fiction can ignite the narrative imagination of the first-year university student, provoking an exploration of cultural diversity, social justice and identity. Novels, plays, poetry and short stories can engage the reader more deeply than factual studies, and engender a thoughtful, responsive and responsible attitude towards society. A sense of social justice is fundamental to the development of good citizenship, and it has been argued that the study of creative writing, especially that which is embedded in local and regional history, provides a sound scaffolding for student learning experiences through related writing activities and debate. Online literary and historical encyclopaedias can provide an ideal information landscape for the development of learning modules that focus on local literature. A structured e-learning module may build on such online sources by assisting the student to navigate the abundant references and discover materials that may be probed more deeply through reading assignments, writing tasks and discussion. This paper presents a case study of the design and development of a general education learning module – “Sharing our stories” – intended to provide students with enriching encounters with local literature while advancing their academic reading and writing skills. The module draws on the content of the Encyclopaedia of South African Arts, Culture and Heritage (ESAACH) which plays an integral part as a springboard to the exploration of local writing. While students encounter a variety of short stories, extracts from novels and biographical writing, a blog feature ensures that the students’ own contributions are lodged within the bigger story – what Ngugi wa Thiong’o calls the “collective history” - of our region (Wa Thiong’o 1986: xi).